After my studies of Exercise 2.2 and my study of the road in the form of an ocean, I took a trip to the local nature reserve, Martin Mere. Created by the WWT which was in turn founded by Peter Scott, an incredible man and a wonderful naturalist responsible for bringing back many species from the edge of extinction such as the Hawaiian goose, which now populates Martin Mere. There are several centres around Great Britain but I am lucky in that this one is not far from home.
I took many photos as I plan to enter the WWT annual photography competition.
I headed to the dock nestled deep inside the woodland where I proceeded to take a rowing boat on a guided tour through the reedbeds. The boat man, a cheerful volunteer provided a fascinating narrative as we drifted slowly through the waterway. I knew instantly as we glided softly away from the sounds of the duck filled ponds and into a still silence that this was the place I wanted to use for Assignment Two, my only regret, I had chosen to take my 80mm lens (due to the heavy rain as we left I had decided to leave my other lenses safe at home) therefore I didn’t have the right lense for landscape shots. However, what dicattes that only certain lenses can capture specific things, why can’t a portrait lens be used for landscape? Perhaps I should use all the images that I took that day to provide a different insight. Certain things were harder to photograph, landscapes, for example, yet other opportunities arose that would perhaps not have been presented with another lens. For instance these two abstract images.
I hung over the edge of the boat as several mallards swam alongside for secretive swishes of bird seed I offered who unsurprisingly followed us the entire way. There were so many pathways and we reached a part in the river where the water parted and led down two routes. It reminded me of Robert Frost’s poem ‘The Road not Taken’
“Two roads diverged in yellow wood, and I
I took the one less travelled by,